An Unnecessary Woman by
Rabih Alameddine
My rating:
3 of 5 stars
This was a hard book to review. I sort of hated it right up until the end. Until then the inner musings of a Beiruti woman, living alone and translating translations of books felt unnecessarily meandering and erudite. She quotes authors and philosophies that I don’t know and haven’t heard of and so had a hard time connecting to. There was just enough “memories” of Beirut and its wars and culture to keep me reading. Then, at the end, you realize how masterfully Alameddine is at his subtlety in his message: it dawns on the reader at the same time it dawns on the main character, Aaliya, that an elderly, divorced, childless woman whose friends have died and whose family is estranged and who translates books no one will read is still remarkably, profoundly necessary all along.
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The cure for loneliness is solitude. —Marianne Moore, from the essay “If I Were Sixteen Today”
Don Quixote’s misfortune is not his imagination, but Sancho Panza. —Franz Kafka, Dearest Father: Stories and Other Writings
if literature is my sandbox, then the real world is my hourglass—an hourglass that drains grain by grain. Literature gives me life, and life kills me. Well, life kills everyone.
We rarely consider that we’re also formed by the decisions we didn’t make, by events that could have happened but didn’t, or by our lack of choices, for that matter.
Remembering is the malignancy that feasts on my now.
We needed an explanation because we couldn’t deal with the fact that it could have been any one of us. Assuming causation—she was killed because she couldn’t hear anything since the radio was too loud—lets us believe that it can’t happen to us because we wouldn’t do such a thing. We are different. They are the other.
As much as I loved it and felt at home within its cages, school is more Hades than Heaven—a ritual killing of childhood is performed in school, children are put to death. The guard was the ferryman.
Henri Matisse once said, “It has bothered me all my life that I do not paint like everybody else.”