Friday, May 13, 2022

Strange Harmony

 

It is a joy--

     to sink into earth

     covered in a patina of salt-sweat.

     Kinetic energy.

     leaving footprints in culverts,

     a tussle of slapping cornstalks,

     airs concussed by hammer blows,

     the camaraderie of workers boots 

           congregating for gas-station lunches, 

    moving through like wind:

           Invisible but affecting anything

It is a joy--

    to slide through

    greased with moneyed palms

    surrounded by the tension of

    Potential energy:

    opened doors, idling

    cars, pulled out

    seats, clockwork precision set

    with a center of stillness,

    moving through like sunlight:

      drawing all eyes without touching a thing          


There is a comfort--

     in a body greedy for sleep,

     dreamless and engulfing a body

     that knows where its muscles are


There is a comfort--

     in the swish between silk sheets,

     swimming in the twilight sleep

     of oceans and lavender


It is a blessing--

     to eat sunshine

     and breathe out chlorophyll


It is a blessing--

     to eat words

     and send back the crusts

It is a strange harmony

of evergreen and hardwood 

scaling up the mountain,

the breeze blowing all branches


Wednesday, May 11, 2022

Lila

 

LilaLila by Marilynne Robinson
My rating: 4 of 5 stars

In Lila , we are introduced to the wife of John Ames. We find out where she came from, what she has gone through, and why she would marry the Reverend. Interspersed are questions about the necessity for baptism, how grace works, who deserves grace, and how spiritual status in the community can carry almost as much weight as money in a small, religious community. All of the Gilead novels seem to revolve around the questions of redemption and this is no difference--is there salvation for the ignorant? Can one wrong act negate a life of compassion? What does it mean to be baptized and what requirements does it hold?

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The moon was gone and there was rain, so fine then it was only a tingle on the skin.

"Things happen for reasons that are hidden from us, utterly hidden for as long as we think they must proceed from what has come before, our guilt or our deserving, rather than coming to us from a future that God in his freedom offers to us."


When you're scaled, touch hurts, it makes no difference if it's kindly meant.

Thin Places


Thin Places: Essays from In BetweenThin Places: Essays from In Between by Jordan Kisner
My rating: 3 of 5 stars

This is a solid book of essays. I liked that she explored spirituality as one of the themes, since that seems to be an less explored area of introspection these days. Some of the essays are really good, but mostly I kept wanting to say, "and so then what?" I wanted her to dig deeper and make more connections. I think this is a good starting point for Kisner, I just hope she has someone making her push further.

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Anticipation is a kind of helplessness: you can’t make the desired or dreaded thing arrive.

The pamphleteers understand that all suspended desire, in some sense, feels the same.

Thin Places

“Obsession” was initially a term of warfare. In Latin, obsessio indicated the first phase of a siege on a city, when the city was surrounded on all sides but its citadel remained intact. Obsessio was followed by possessio, when the attacker breached the walls and took the city from the inside. In Obsession: A History, Lennard Davis illuminates the way these two words were adapted to explain demonic possession in the third century: “In the case of obsession, that person was aware of being besieged by the devil since the demon did not have complete control, had not entered the city of the soul, and the victim could therefore attempt to resist.”

D.S. was twenty-nine and afraid that she might lose possession of her own thoughts, that they might travel from her head down her arms and escape through her fingertips into the world. She worried that she would leave a trail of ideas and images in her wake, clinging like residue to everything she touched.

“Fear of contamination rests on the belief, widespread in our culture as in others, that something can impart its essence to us on contact. We are forever polluted, as we see it, by contact with a pollutant.” This notion extends past the physical realm of germ contamination and into metaphor. We worry about the “bad seed,” and fear that someone’s awful luck, lousy attitude, or even insanity will “rub off” on us. 5

In thin places, the folklore goes, the barrier between the physical world and the spiritual world wears thin and becomes porous. Invisible things, like music or love or dead

people or God, might become visible there, or if they don’t become visible they become so present and tangible that it doesn’t matter.

“It could be said, even here, that what remains of the self / Unwinds into a vanishing light, and thins like dust, and heads / to a place where knowing and nothing pass into each other, and through,” wrote Mark Strand for his friend Joseph Brodsky: 

What remains of the self unwinds and unwinds, for none 

Of the boundaries holds—neither the shapeless one between us,

Nor the one that falls between your body and your voice.

The Big Empty

The twentieth-century philosopher and mystic Simone Weil wrote, “Absolute, unmitigated attention is prayer,”

Which suggests, possibly, that if you are stuck somewhere small in your mind, somewhere unhappy or afraid or paralyzed or heartbroken, all of which are a kind of claustrophobic circling and circling, you might be able to reverse-engineer an expansion, shove yourself through into some larger mind place by putting yourself in the way of some vaster spaces in the world. At least I think that’s so.

Habitus

The wedding day is the day of the perfect dress and, by extension, the apex of a woman’s individual beauty, which is one way of measuring the apex of her existence.

As a metaphor—only as a metaphor—the Marthas’ dresses are so much more realistic: your mother or your sister or an aunt hands you a hundred-pound corseted structure and says, Walk in that, and then you make a lot of decisions about what of the gown you want to keep, whether you’ll change its color, cut off the weird embellishments the last wearer put on, add a whole new panel, or change everything about it except its bones, which cannot change.