Monday, August 31, 2020

The First Mrs. Rothschild

The First Mrs. RothschildThe First Mrs. Rothschild by Sara Aharoni
My rating: 2 of 5 stars

I did not realize this was a real person til I was quite far into the book. This realization made me a bit more forgiving, although the Wikipedia page may have been more fascinating than the actual book. I found the whole thing to be monotonous and uninteresting. The real Gutle must have had a bit more fire and opinion in her, I think. Although this is a diary--only written in once every few years--we get very little of her inner thoughts. I felt very little connection to her or her family. I suppose some of the history of the Jews in Frankfurt was a bit enlightening--that and it was about a real family is the only reason I gave it 2 instead of 1 star. Recommended for all those suffering from insomnia.

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Foulsham

Foulsham (Iremonger, #2)Foulsham by Edward Carey
My rating: 4 of 5 stars

Perhaps not quite as captivating as the first, the strange little world created in Heap House expands to the outside town of Foulsham. Once again, the importance of names, our relationship with things, and our tendency to place people in classes based on how many things they have and what they do is explored, while also digging into exploitation, poverty, and greed. Clod is now starts out as a gold coin, so that is unique perspective, and we get to meet Binadit, who may seem simple, but usually sees things how it is.

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Mistress Winthrop, but so thick with gin that she was ever more gin than human, more bottle than body.

Steam out of my mouth, like I was an engine.

‘I cannot help my name!’

Coaxing the person back had to be done carefully.

Whatever they were they weren’t it any longer.

With each part pulled off, he was growing smaller.

For Mrs Whiting, every object was proof of her living;

I’m your thing.

Well then, who’s to say who’s a person?

I’m not afraid to die. I was, was very much in truth, when I was a coin, when I couldn’t do anything, only just be moved about by other people, that was frightening because I was lost then, but I’m me again now,

Why will you not protect your things?

Our house itself seems to move as if it has the shivers, I hope it’s not going to catch the ague, our own dear house.



Heap House

Heap House (Iremonger, #1)Heap House by Edward Carey
My rating: 4 of 5 stars

I really, really enjoyed this strange little book. Clod is a member of the Iremongers, who have made their fortune in garbage, and as such, they have a curious relationship with things. They each have birth objects they must keep with them at all times, and Clod, weirdly can hear them call out names. Then there is Lucy, full of spunk, who comes and works at the Heap House where most of the Iremongers live. There is mystery and tension, it is funny and sad, weird but relatable. It is disguised as a YA book, but it deeply investigates our relationship with things and the nostalgia we attach to some. It also investigates what it is to be human without the usual technological parallels. Highly recommend.

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I went to bed thinking that it was a shame I had no keepsake of Lucy Pennant, some small thing, something to help me through the day, something to remember her by.  A portrait should be best, a likeness.

But I often come here, to look at their objects, wondering about them, as if I'll understand them more by studying the bits and pieces.  All those old lives.

Curtains and shutters alter time.

All the world, I thought, will be in grey flannel for you now.

Thursday, August 27, 2020

Daisy and The Six

Daisy Jones & The SixDaisy Jones & The Six by Taylor Jenkins Reid
My rating: 5 of 5 stars

How do you write a book about a rock 'n roll band without getting lost in the sex, drugs, and rock'n roll? Set it up as interview answered a la a magazine profile. I thought I would hate it--no real narrative, just "answers" about events, but it was genius. The focus of the book became about the relationships the band members had, the motivations behind the songs, the impetus for behavior. This style also had the added benefit of looking back in time and seeing the consequences, and hearing their regret/ psychoanalysis of why they did what they did. Memories from different characters contradict each other. Sex and drugs are there but they aren't glorified, usually they are surrounded by regret. The story really becomes all about the band and the music. This novel deserves all the hype its gotten.

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Dare Me

Dare MeDare Me by Megan Abbott
My rating: 2 of 5 stars

This is everything that you think it might be. A story about cheerleaders and murder told in a dark, subversive tone with all the ways young girls flaunt their sexuality as power, and use their popularity to manipulate and torment those that want to be like them. It feeds into all the bad stereotypes of young, sexual cheerleader types with a dark cloak hanging over it, worn by a narrator who never wants to look at anything too closely. The stunted vision aids an air of mystery, but by the end, I was bored and tired with the whole thing and kind of disgusted with portrayal/ promotion of bad girl behavior. Also, do cheerleaders really have locker room pep talks akin to Olympic gold medal stakes during regular season cheering? The whole thing was just too much.

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The Travelers

The TravelersThe Travelers by Regina Porter
My rating: 3 of 5 stars

This novel is written in a series of narratives of characters that intersect in various times and places, culminating in the interracial marriage of Claudia, who is black, and Rufus, who is white. Some of the stories are beautiful and affecting, and having two racial perspectives on the same time period is also interesting. But I found the cast of characters to be just too many, the time-line too sprawling. The effectiveness was lost with just too much to keep straight. Photographs sometimes added to the narrative, other times the narrative seemed contrived to fit them in. Definitely not a bad read, just maybe needs some focus.

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She says to understand the human anatomy, you must first understand passion.  Passion builds and destroys things including bodies.

 

Saturday, August 8, 2020

A Grief Observed


A Grief ObservedA Grief Observed by C.S. Lewis
My rating: 5 of 5 stars

Once again C.S. Lewis shows that honesty and truth, even in the depths of sorrow, anger, despair, results in transcendent knowledge about life. How brave to let the world see into the soul of someone struggling to find meaning in the depth of grief over his wife's death. Yet because he does he honors her and helps us understand the meaning of suffering and the love of God. There is a reason why C.S. Lewis is constantly quoted; I could read this book through a hundred times and find new truths to think about.

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We have seen the faces of those we know best so variously, from so many angles, in so many lights, with so many expressions—waking, sleeping, laughing, crying, eating, talking, thinking—that all the impressions crowd into our memory together and cancel out into a mere blur.

Slowly, quietly, like snow-flakes—like the small flakes that come when it is going to snow all night—little flakes of me, my impressions, my selections, are settling down on the image of her.

The real shape will be quite hidden in the end.

What’s left? A corpse, a memory, and (in some versions) a ghost. All mockeries or horrors.

As if I wanted to fall in love with my memory of her, an image in my own mind! It would be a sort of incest.

The grave and the image are equally links with the irrecoverable and symbols for the unimaginable. But the image has the added disadvantage that it will do whatever you want. It will smile or frown, be tender, gay, ribald, or argumentative just as your mood demands. It is a puppet of which you hold the strings.

One flesh. Or, if you prefer, one ship. The starboard engine has gone. I, the port engine, must chug along somehow till we make harbour.

Of course the cat will growl and spit at the operator and bite him if she can. But the real question is whether he is a vet or a vivisector.

I want her back as an ingredient in the restoration of my past.

They call Stephen the first martyr. Hadn’t Lazarus the rawer deal?

The kinder and more conscientious he is, the more inexorably he will go on cutting. If he yielded to your entreaties, if he stopped before the operation was complete, all the pain up to that point would have been useless.

And then one babbles—‘ If only I could bear it, or the worst of it, or any of it, instead of her.’ But one can’t tell how serious that bid is, for nothing is staked on it. If it suddenly became a real possibility, then, for the first time, we should discover how seriously we had meant it. But is it ever allowed? It was allowed to One, we are told, and I find I can now believe again, that He has done vicariously whatever can be so done. He replies to our babble, ‘You cannot and you dare not. I could and dared.’

You can’t see anything properly while your eyes are blurred with tears. You can’t, in most things, get what you want if you want it too desperately: anyway, you can’t get the best out of it.
 
Delicious drinks are wasted on a really ravenous thirst.

Was it my own frantic need that slammed it in my face? The time when there is nothing at all in your soul except a cry for help may be just the time when God can’t give it: you are like the drowning man who can’t be helped because he clutches and grabs. Perhaps your own reiterated cries deafen you to the voice you hoped to hear.

After all, you must have a capacity to receive, or even omnipotence can’t give. Perhaps your own passion temporarily destroys the capacity.

If, as I can’t help suspecting, the dead also feel the pains of separation (and this may be one of their purgatorial sufferings), then for both lovers, and for all pairs of lovers without exception, bereavement is a universal and integral part of our experience of love.

It is not a truncation of the process but one of its phases; not the interruption of the dance, but the next figure.

God has not been trying an experiment on my faith or love in order to find out their quality. He knew it already. It was I who didn’t.

make a map of sorrow.

My idea of God is not a divine idea. It has to be shattered time after time. He shatters it Himself.

All reality is iconoclastic.

That’s what was really wrong with all those popular pictures of happy reunions ‘on the further shore’; not the simple-minded and very earthly images, but the fact that they make an End of what we can get only as a by-product of the true End.

Lord, are these your real terms? Can I meet H. again only if I learn to love you so much that I don’t care whether I meet her or not?