Middlemarch by George EliotMy rating: 5 of 5 stars
I loved the PBS series on Masterpiece when I was in college. I watched it as aggressively as some people watch playoff football. The book was just as good (if not better). Eliot uses the power of perspective so well--the things our characters cannot see because of their own circumstances and concerns, the things we place importance on because of age or society. It's also an examination of submission in marriage--how the balance of trust, equal respect, and championship of each other's strengths means more than economics, religion, or beauty in making the relationship work. And yes, Rufus Sewell figured predominately in my imagination as Will Laidslaw, because he was perfection.
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Many Theresas have been born who found for themselves no epic life wherein there was a constant unfolding of far-resonant action; perhaps only a life of mistakes, the offspring of a certain spiritual grandeur ill-matched with the meanness of opportunity; perhaps a tragic failure which found no sacred poet and sank unwept into oblivion.
Here and there is born a Saint Theresa, foundress of nothing, whose loving heart-beats and sobs after an unattained goodness tremble off and are dispersed among hindrances, instead of centering in some long-recognizable deed.
Women were expected to have weak opinions; but the great safeguard of society and of domestic life was, that opinions were not acted on. Sane people did what their neighbors did, so that if any lunatics were at large, one might know and avoid them.
They were not thin hands, or small hands; but powerful, feminine, maternal hands. She seemed to be holding them up in propitiation for her passionate desire to know and to think,
The great charm of your sex is its capability of an ardent self-sacrificing affection, and herein we see its fitness to round and complete the existence of our own.
“Your sex are not thinkers, you know—varium et mutabile semper—that kind of thing. You don’t know Virgil.
you are well rid of Miss Brooke, a girl who would have been requiring you to see the stars by daylight.
Now that she and the stranger had met, reality proved much more moving than anticipation, and Rosamond could not doubt that this was the great epoch of her life.
Our vanities differ as our noses do: all conceit is not the same conceit, but varies in correspondence with the minutiae of mental make in which one of us differs from another.
One must be poor to know the luxury of giving!
all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world: all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation, at first jarred her as with an electric shock,
red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina.
it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel’s heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.
With his taper stuck before him he forgot the absence of windows, and in bitter manuscript remarks on other men’s notions about the solar deities, he had become indifferent to the sunlight.
if she could have fed her affection with those childlike caresses which are the bent of every sweet woman, who has begun by showering kisses onthe hard pate of her bald doll, creating a happy soul within that woodenness from the wealth of her own love.
She was an angel beguiled.
“I call that the fanaticism of sympathy,” said Will, impetuously. “You might say the same of landscape, of poetry, of all refinement. If you carried it out you ought to be miserable in your own goodness, and turn evil that you might have no advantage over others. The best piety is to enjoy—when you can. You are doing the most then to save the earth’s character as an agreeable planet. And enjoyment radiates. It is of no use to try and take care of all the world; that is being taken care of when you feel delight—in art or in anything else.
Book 3 — Waiting for Death
Your pier-glass or extensive surface of polished steel made to be rubbed by a housemaid, will be minutely and multitudinously scratched in all directions; but place now against it a lighted candle as a centre of illumination, and lo! the scratches will seem to arrange themselves in a fine series of concentric circles round that little sun. It is demonstrable that the scratches are going everywhere impartially and it is only your candle which produces the flattering illusion of a concentric arrangement, its light falling with an exclusive optical selection. These things are a parable. The scratches are events, and the candle is the egoism of any person now absent—
Book 4 — Three Love Problems
I think his own feelings at that moment were perfect, for we mortals have our divine moments, when love is satisfied in the completeness the beloved object.
Will not a tiny speck very close to our vision blot out the glory of the world, and leave only a margin by which we see the blot? I know no speck so troublesome as self.
But what we call our despair is often only the painful eagerness of unfed hope.
Book 6 — The Widow and the Wife
He had regarded Rosamond’s cleverness as precisely of the receptive kind which became a woman. He was now beginning to find out what that cleverness was—what was the shape into which it had run as into a close network aloof and independent.
he felt the scenes of his earlier life coming between him and everything else, as obstinately as when we look through the window from a lighted room, the objects we turn our backs on are still before us, instead of the grass and the trees.
For religion can only change when the emotions which fill it are changed; and the religion of personal fear remains nearly at the level of the savage.
Book 7 — Two Temptations
Everybody liked better to conjecture how the thing was, than simply to know it; for conjecture soon became more confident than knowledge, and had a more liberal allowance for the incompatible.
Rosamond’s discontent in her marriage was due to the conditions of marriage itself, to its demand for self-suppression and tolerance, and not to the nature of her husband;
it seemed to him as if he were beholding in a magic panorama a future where he himself was sliding into that pleasureless yielding to the small solicitations of circumstance, which is a commoner history of perdition than any single momentous bargain.
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